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<channel>
	<title>Stephen Carley</title>
	<link>https://stephencarley.co.uk</link>
	<description>Stephen Carley</description>
	<pubDate>Fri, 22 Mar 2019 16:03:16 +0000</pubDate>
	<generator>https://stephencarley.co.uk</generator>
	<language>en</language>
	
		
	<item>
		<title>aUDIOMAPS.</title>
				
		<link>https://stephencarley.co.uk/aUDIOMAPS</link>

		<pubDate>Fri, 22 Mar 2019 16:03:16 +0000</pubDate>

		<dc:creator>Stephen Carley</dc:creator>

		<guid isPermaLink="true">https://stephencarley.co.uk/aUDIOMAPS</guid>

		<description>aUDIOMAPS.

    

aUDIOMAPS. (Not songs).


Field recordings, collaged soundscapes. 

Filtered, re-sampled, looped, re-configured and re-constructed. 

aUDIOMAPS is often collaborative in the recording, remixing and performative stage. 

Texts are ‘cut ups’, overheard conversations, ‘found' statements, declarations. 
Part manifesto at times. 

Loops. Samples. Sequences. A whisper. A sense of place. 

Post Industrial Funk.


“People tend to play in their comfort zone, so the best things are achieved in a state of surprise, actually.” Brian Eno.


“People ask me, 'Don't you ever run out of ideas?' Well, in the first place, I don't use ideas. Every time I have an idea, it's too limiting and usually turns out to be a disappointment. But I haven't run out of curiosity.” 
Robert Rauschenberg.


“Helen you’d better learn to spell repetition if you’re going to review The Fall”.&#38;nbsp;
Kevin Cummins to Helen Ward, NME, 1990.


‘What mistakes did you make last time?

Brian Eno / Peter Schmidt - Oblique Strategies.


Akai Desktop Samplers &#124; Eight Track Porta-studio &#124; 
Record Decks and Knackered Records &#124; A Music Box &#124; 
A Megaphone &#124; Voice &#124; Bass 
&#60;img width="10000" height="10000" width_o="10000" height_o="10000" data-src="https://freight.cargo.site/t/original/i/051d3eca9f9be2c152b72a3b10ab9478fa0db2f8be70e5d633fdc9ff8117e5bb/ALTER-EGO-SIGNS.jpg" data-mid="244646868" border="0"  src="https://freight.cargo.site/w/1000/i/051d3eca9f9be2c152b72a3b10ab9478fa0db2f8be70e5d633fdc9ff8117e5bb/ALTER-EGO-SIGNS.jpg" /&#62;aUDIOMAPS vs Exquisite CORPS. 
REMIX / replay.
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&#60;img width="4724" height="3930" width_o="4724" height_o="3930" data-src="https://freight.cargo.site/t/original/i/7df9c580c1c1dc4b8c5abae11c290d7f16c82a0e5b20b4c37b6e216888020e31/FOR-BANDCAMPremixes-cover-small.jpg" data-mid="99876291" border="0"  src="https://freight.cargo.site/w/1000/i/7df9c580c1c1dc4b8c5abae11c290d7f16c82a0e5b20b4c37b6e216888020e31/FOR-BANDCAMPremixes-cover-small.jpg" /&#62;

&#60;img width="1575" height="1575" width_o="1575" height_o="1575" data-src="https://freight.cargo.site/t/original/i/4b89b8aa76aef25d2fd0092a194bd9dc686bbbc0d5aa2a6676fec2625d8b0067/INSTA-FOUR-TESTS.jpg" data-mid="99876293" border="0"  src="https://freight.cargo.site/w/1000/i/4b89b8aa76aef25d2fd0092a194bd9dc686bbbc0d5aa2a6676fec2625d8b0067/INSTA-FOUR-TESTS.jpg" /&#62;
    




    



    




 
    </description>
		
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	<item>
		<title>Bad Choreography</title>
				
		<link>https://stephencarley.co.uk/Bad-Choreography</link>

		<pubDate>Tue, 05 Feb 2019 18:04:23 +0000</pubDate>

		<dc:creator>Stephen Carley</dc:creator>

		<guid isPermaLink="true">https://stephencarley.co.uk/Bad-Choreography</guid>

		<description>&#38;nbsp;BAD CHOREOGRAPHY

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&#60;img width="2196" height="1222" width_o="2196" height_o="1222" data-src="https://freight.cargo.site/t/original/i/01b5ed08d7ca1a402134f0fc11da21b1cca3c7921c9610205ffaf90c629ea2fb/Screenshot-2024-02-15-at-12.28.31.png" data-mid="243187897" border="0"  src="https://freight.cargo.site/w/1000/i/01b5ed08d7ca1a402134f0fc11da21b1cca3c7921c9610205ffaf90c629ea2fb/Screenshot-2024-02-15-at-12.28.31.png" /&#62;
&#60;img width="2198" height="1132" width_o="2198" height_o="1132" data-src="https://freight.cargo.site/t/original/i/8f33d401706ce3dc073e9235b37b9be6ad4fd5e158e8843adb56559ab56fb77a/Screenshot-2024-02-16-at-09.37.59.png" data-mid="243187898" border="0"  src="https://freight.cargo.site/w/1000/i/8f33d401706ce3dc073e9235b37b9be6ad4fd5e158e8843adb56559ab56fb77a/Screenshot-2024-02-16-at-09.37.59.png" /&#62;
Want to see&#38;nbsp;BLAST!&#38;nbsp;... Here
&#60;img width="5000" height="5000" width_o="5000" height_o="5000" data-src="https://freight.cargo.site/t/original/i/7643ccf4ae09ab70cb57fd8304a2e9e84ca1704dac1d4467fab0beef61512ffc/GRID-SQUARE-DANCE-.jpg" data-mid="247118996" border="0"  src="https://freight.cargo.site/w/1000/i/7643ccf4ae09ab70cb57fd8304a2e9e84ca1704dac1d4467fab0beef61512ffc/GRID-SQUARE-DANCE-.jpg" /&#62;Square Dance.
&#60;img width="5566" height="3600" width_o="5566" height_o="3600" data-src="https://freight.cargo.site/t/original/i/49f2de2478ded528ee8a9be319eb485abac3c193154df114c098b050429d7d95/GRID-AMBASSADORS.jpg" data-mid="243261044" border="0"  src="https://freight.cargo.site/w/1000/i/49f2de2478ded528ee8a9be319eb485abac3c193154df114c098b050429d7d95/GRID-AMBASSADORS.jpg" /&#62;
The Ambassadors.

&#60;img width="1969" height="1969" width_o="1969" height_o="1969" data-src="https://freight.cargo.site/t/original/i/370ad5d395cd0244c0633ccc03c0a48454006287a011e17e4471813752d1e6a0/YES-VS-NO-WEBSITE.jpg" data-mid="243260814" border="0"  src="https://freight.cargo.site/w/1000/i/370ad5d395cd0244c0633ccc03c0a48454006287a011e17e4471813752d1e6a0/YES-VS-NO-WEBSITE.jpg" /&#62;
You get to that point sometimes where you need to take things back to basics. 
Being able to work quickly. Spontaneously.

How much ‘awkward and clumsy’ can I choreograph? 

How much ‘slapstick’?

No tricks here. No athleticism. The humour is dry. 
Pathos wriggles just under the skin.



&#60;img width="4724" height="4724" width_o="4724" height_o="4724" data-src="https://freight.cargo.site/t/original/i/6b523f47a7cc2292c5becc931b7b2d7794d2ff6e41460a9ffe717402554ce51d/1-TO-9-GRID-TEST.jpg" data-mid="242619225" border="0"  src="https://freight.cargo.site/w/1000/i/6b523f47a7cc2292c5becc931b7b2d7794d2ff6e41460a9ffe717402554ce51d/1-TO-9-GRID-TEST.jpg" /&#62;
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&#60;img width="2953" height="2953" width_o="2953" height_o="2953" data-src="https://freight.cargo.site/t/original/i/c5d8cdf7ec1c0b96eeda4c7c0aa4f2cc084618f97e40b0090ae585fbcf76feca/64-to-72-GRID-TEST.jpg" data-mid="242619227" border="0"  src="https://freight.cargo.site/w/1000/i/c5d8cdf7ec1c0b96eeda4c7c0aa4f2cc084618f97e40b0090ae585fbcf76feca/64-to-72-GRID-TEST.jpg" /&#62;
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&#60;img width="2953" height="2953" width_o="2953" height_o="2953" data-src="https://freight.cargo.site/t/original/i/7982db01d481277a12c95cbda41f227e6a16bc1913a980a4f068680dd1c74213/19-TO-27-GRID-TEST.jpg" data-mid="242619229" border="0"  src="https://freight.cargo.site/w/1000/i/7982db01d481277a12c95cbda41f227e6a16bc1913a980a4f068680dd1c74213/19-TO-27-GRID-TEST.jpg" /&#62;
&#60;img width="2953" height="2953" width_o="2953" height_o="2953" data-src="https://freight.cargo.site/t/original/i/31de257050a6546707d488cf1cd44e35412fa5aab4a09be13673733e054770b7/28-to-36-GRID-TEST.jpg" data-mid="242619230" border="0"  src="https://freight.cargo.site/w/1000/i/31de257050a6546707d488cf1cd44e35412fa5aab4a09be13673733e054770b7/28-to-36-GRID-TEST.jpg" /&#62;
&#60;img width="2953" height="2953" width_o="2953" height_o="2953" data-src="https://freight.cargo.site/t/original/i/a0f2207b77367e94654d30bf230aa272af5cf0f47b7596f1e718c102d5d179b1/37-to-45-GRID-TEST.jpg" data-mid="242619231" border="0"  src="https://freight.cargo.site/w/1000/i/a0f2207b77367e94654d30bf230aa272af5cf0f47b7596f1e718c102d5d179b1/37-to-45-GRID-TEST.jpg" /&#62;
&#60;img width="2953" height="2953" width_o="2953" height_o="2953" data-src="https://freight.cargo.site/t/original/i/52a18b6e1e4147c8d29b4cbc88572945c9fec4f326e1845885a64e7a4366a82a/46-TO-54-GRID-TEST.jpg" data-mid="242619232" border="0"  src="https://freight.cargo.site/w/1000/i/52a18b6e1e4147c8d29b4cbc88572945c9fec4f326e1845885a64e7a4366a82a/46-TO-54-GRID-TEST.jpg" /&#62;
&#60;img width="2953" height="2953" width_o="2953" height_o="2953" data-src="https://freight.cargo.site/t/original/i/9d29a6956796927ce5f13f376a0860a73da3e1ed0c99ccac2f6a1cbed34c836e/55-to-63-GRID-TEST.jpg" data-mid="242619233" border="0"  src="https://freight.cargo.site/w/1000/i/9d29a6956796927ce5f13f376a0860a73da3e1ed0c99ccac2f6a1cbed34c836e/55-to-63-GRID-TEST.jpg" /&#62;
Framed.

I’m conscious but my thoughts are blurred. Somewhere else.

Occupied. Swamped. At breaking point. 

Sleep is the dead weight of concrete boots that take half the day to shake off.&#38;nbsp;
Wake up! Wake up! Wake up!

Walking with a rhythm slowed and slurred by middle age

A creaking and clicking downsizing human frame.

I try to keep up…I try to keep up…

I heard the news today, oh boy.

Why. When. How did we get here?




&#60;img width="4535" height="3175" width_o="4535" height_o="3175" data-src="https://freight.cargo.site/t/original/i/30264eae142e7c137b1806d292363c969b7f5bf759f96e032bbc6f9450085842/2.jpg" data-mid="36867341" border="0"  src="https://freight.cargo.site/w/1000/i/30264eae142e7c137b1806d292363c969b7f5bf759f96e032bbc6f9450085842/2.jpg" /&#62;
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“ I started playing around, and thought it would be quite interesting to get on them. I was thinking about how the plinths affected me; I tried to let the plinths determine where I put my foot or my arm. It became a pose work, an action that I did throughout the day. Somebody photographed me and I liked how that looked. People always think it’s lampooning Henry Moore, but I actually did that with a piece called Fallen Warrior, where I’m lying on the beach .”&#38;nbsp; 
Bruce McClean. Pose Work for Plinths 3.



&#60;img width="1969" height="1969" width_o="1969" height_o="1969" data-src="https://freight.cargo.site/t/original/i/a7fed34e843447075cdd30d81bb36ce685166d13a3f90fe89fd9c8c1df5eb35e/INSTA-FIVE.jpg" data-mid="242618991" border="0"  src="https://freight.cargo.site/w/1000/i/a7fed34e843447075cdd30d81bb36ce685166d13a3f90fe89fd9c8c1df5eb35e/INSTA-FIVE.jpg" /&#62;
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In Conversation with myself as a Ghost, Idiot, Clown and a Man with a Bag on his Head.

“I think humour is used a lot of the time to keep people from getting too close. Humour side-steps and shifts the meaning.” &#38;nbsp;
Bruce Nauman.


“If one more person tells me this is just like the old times, I swear I’ll jump out the window”.&#38;nbsp;
Buster Keaton.


If I’m honest, I’m having fun with this. And why shouldn’t I?

    



    




    
They are perfecting the pillow with which you are being suffocated. 
Now it sings to you and shows you pictures...&#38;nbsp;
Early Capitalism - Joe Wenderoth.

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Self Portrait with Blackboard.

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“To be is to do - Socrates.To do is to be - Sartre.Do Be Do Be Do - Sinatra”.Kurt Vonnegut.</description>
		
	</item>
		
		
	<item>
		<title>Construct Deconstruct Reconstruct </title>
				
		<link>https://stephencarley.co.uk/Construct-Deconstruct-Reconstruct</link>

		<pubDate>Fri, 01 Mar 2019 11:00:25 +0000</pubDate>

		<dc:creator>Stephen Carley</dc:creator>

		<guid isPermaLink="true">https://stephencarley.co.uk/Construct-Deconstruct-Reconstruct</guid>

		<description>CONSTRUCT DECONSTRUCT RECONSTRUCT

    

TANDEM VIDEO DRAWING ONE.


Sticks and wire.


Remixed 2021.

    


DRAWING BOOK ONE.


Book made 2017.


Video recorded 2021.
	
&#60;img width="2712" height="1575" width_o="2712" height_o="1575" data-src="https://freight.cargo.site/t/original/i/e995248dbf2f45c44475d1d790810cf0e2abe4055c3940f4a908290f6f0b786a/SCULPTURE-AS-DRAWING-SEQUENCE.jpg" data-mid="101242057" border="0"  src="https://freight.cargo.site/w/1000/i/e995248dbf2f45c44475d1d790810cf0e2abe4055c3940f4a908290f6f0b786a/SCULPTURE-AS-DRAWING-SEQUENCE.jpg" /&#62;


















SCULPTURE AS DRAWING.


Paper, string, adhesive tape, detritus.&#38;nbsp;
Variable dimensions.&#38;nbsp;Date unknown.








Process; &#38;nbsp;
Line. Shape. Mark. Sequence. Collage. Layered. Action/Gesture. Press. Gravity. Weight. De-collage.
“Painting and sculpture (and drawing of course) are very archaic forms. It's the only thing left in our industrial society where an individual alone can make something with not just his own hands, but brains, imagination, heart maybe.” Philip Guston.
Drawing is
absolutely integral to my studio practise. The process informs and underpins
all my work. For me, drawing is not about representation, it’s more a gathering and ordering. Half seen, overlooked fragments, fleeting moments. It’s where marks, surfaces, shapes, lines and textures
coalesce. Entirely process orientated and risky, it becomes a dialogue with the
materials.

“To put down an ideogram of a table so that people will recognize it as a table is not the work of a painter, but to sense it for a moment as a magic carpet with a leg hanging down at each corner is the beginning of a painter's imagination.” Frank Auerbach.



These drawings
are a consequence of walking through and out of the city, cycling up steep
hills and past old factories. Periphery vision through the window of a speeding
train. Late night motorway car journeys. Things at my feet, the sky above. The seen and vaguely remembered vistas and objects act as a catylist for an almost automatic way of working.&#38;nbsp;


















“Drawing is
the primal means of communication, which predates and embraces writing and
functions as a tool of conceptualisation parallel with language.” Deanna
Petherbridge, The Primacy of drawing.

The directness
and immediacy of drawing is where I am at my most playful. 
Mark-making,
cutting, ripping, punching holes, slicing, embossing. 
Often the images
challenge the notion of what a drawing is or can be… 








“A discourse between definition and
the unresolved, the systematic and chaotic, certainty and speculation.” 
The Good Drawing, CCW Bright 7.

&#60;img width="3262" height="2237" width_o="3262" height_o="2237" data-src="https://freight.cargo.site/t/original/i/e7083db274031f6943f58ba006d2f2ade0d056f8eabc5afc755ea62f2470723a/TAXONOMY-11-DEC.jpg" data-mid="206060440" border="0"  src="https://freight.cargo.site/w/1000/i/e7083db274031f6943f58ba006d2f2ade0d056f8eabc5afc755ea62f2470723a/TAXONOMY-11-DEC.jpg" /&#62;

TAXONOMY OF MARKS / Remix DRAWING.

Marks on paper, mounted on foam board. Wooden shelves.

300cm X 240cm. 2024.

&#60;img width="1969" height="1969" width_o="1969" height_o="1969" data-src="https://freight.cargo.site/t/original/i/af574259f8833b7faba4f47ff9006b0818326d87ec433389fc3c040db56c2ebe/10-METER-LINE-.jpg" data-mid="206176890" border="0"  src="https://freight.cargo.site/w/1000/i/af574259f8833b7faba4f47ff9006b0818326d87ec433389fc3c040db56c2ebe/10-METER-LINE-.jpg" /&#62;ARTIST WITH 10 METRE LINE. VERSION ONE AND TWO.
Stills from a performance for film. Artist, paper, mark, props.
Variable dimensions and duration. 2023.




&#60;img width="1603" height="1575" width_o="1603" height_o="1575" data-src="https://freight.cargo.site/t/original/i/b7d7203fe62af1c7c116e9e315008e5c46b78e3469725aeae7a9b8e874f93a51/DRAWING-TESTS-SET-ONE.jpg" data-mid="101242544" border="0" alt="DRAWING TESTS SET ONE." data-caption="DRAWING TESTS SET ONE." src="https://freight.cargo.site/w/1000/i/b7d7203fe62af1c7c116e9e315008e5c46b78e3469725aeae7a9b8e874f93a51/DRAWING-TESTS-SET-ONE.jpg" /&#62;
&#60;img width="3814" height="3597" width_o="3814" height_o="3597" data-src="https://freight.cargo.site/t/original/i/ed95ef2b7deb5da22a7ee05ac69cc8b6c2e1f2e460ba0a3d9ac32250397e79a4/nine-grid.jpg" data-mid="38273952" border="0" alt="CONSTRUCT DECONSTRUCT RECONSTRUCT 1." data-caption="CONSTRUCT DECONSTRUCT RECONSTRUCT 1." src="https://freight.cargo.site/w/1000/i/ed95ef2b7deb5da22a7ee05ac69cc8b6c2e1f2e460ba0a3d9ac32250397e79a4/nine-grid.jpg" /&#62;
&#60;img width="1572" height="1575" width_o="1572" height_o="1575" data-src="https://freight.cargo.site/t/original/i/0f1cb87ee89d073ab074ec859bc38bf8324dc621c1344fb8926f708b032e5b3b/DRAWING-TESTS-SET-TWO.jpg" data-mid="101242546" border="0" alt="DRAWING TESTS SET TWO." data-caption="DRAWING TESTS SET TWO." src="https://freight.cargo.site/w/1000/i/0f1cb87ee89d073ab074ec859bc38bf8324dc621c1344fb8926f708b032e5b3b/DRAWING-TESTS-SET-TWO.jpg" /&#62;
&#60;img width="1575" height="1575" width_o="1575" height_o="1575" data-src="https://freight.cargo.site/t/original/i/91b55ce7df6afa533333a137bcda53ee0f8ebf8a2d8e6ae014482c4051a04745/BLACK-DETRITUS-DRAWING.jpg" data-mid="101242606" border="0" alt="BLACK DETRITUS DRAWING." data-caption="BLACK DETRITUS DRAWING." src="https://freight.cargo.site/w/1000/i/91b55ce7df6afa533333a137bcda53ee0f8ebf8a2d8e6ae014482c4051a04745/BLACK-DETRITUS-DRAWING.jpg" /&#62;
&#60;img width="1586" height="1575" width_o="1586" height_o="1575" data-src="https://freight.cargo.site/t/original/i/b7878cf4c8cd3e58db1b1dbb52d7ba808f638a5e32161db198732ffa518a3876/DRAWING-TESTS-SET-THREE.jpg" data-mid="101242545" border="0" alt="DRAWING TESTS SET THREE." data-caption="DRAWING TESTS SET THREE." src="https://freight.cargo.site/w/1000/i/b7878cf4c8cd3e58db1b1dbb52d7ba808f638a5e32161db198732ffa518a3876/DRAWING-TESTS-SET-THREE.jpg" /&#62;
&#60;img width="1600" height="1600" width_o="1600" height_o="1600" data-src="https://freight.cargo.site/t/original/i/bb9647037efaf9e9f2eddab18d03d257c8379c5d13f9d2af16113d857b70b67e/83_big8.jpg" data-mid="36574596" border="0" alt="CONSTRUCT DECONSTRUCT RECONSTRUCT 11." data-caption="CONSTRUCT DECONSTRUCT RECONSTRUCT 11." src="https://freight.cargo.site/w/1000/i/bb9647037efaf9e9f2eddab18d03d257c8379c5d13f9d2af16113d857b70b67e/83_big8.jpg" /&#62;

	

















DRAWING TESTS SET ONE.


Nine possibilities. 


Drawing, acrylic paint, ink and detritus collage
on paper.


Each panel – 10cm X 10cm.


2020.



 CONSTRUCT DECONSTRUCT RECONSTRUCT 1.


Drawing, acrylic paint, ink and detritus collage
on paper.


200 X 200cm.


2018.



DRAWING TESTS SET TWO.


Nine possibilities.


Drawing, acrylic paint, ink and detritus collage
on paper.


Each panel – 10cm X 10cm.


2020.







	BLACK DETRITUS DRAWING.Found objects / detritus. String, wire,
cardboard, gloss paint, MDF.200 X 200cm.2017.


 DRAWING TESTS SET THREE.Nine possibilities.Drawing, acrylic paint, ink, monoprint and
detritus collage on paper.Each panel – 10cm X 10cm.2021.



 CONSTRUCT DECONSTRUCT RECONSTRUCT 11.


Drawing, acrylic paint, ink, photograms and
detritus collage on paper.


200 X 200cm.


2019.









    



TANDEM VIDEO DRAWING 2.

Paper.


Remixed 2021.
&#60;img width="1600" height="1371" width_o="1600" height_o="1371" data-src="https://freight.cargo.site/t/original/i/45b455ab5b45cc1dbe71831b25184626cdd8eecb5ddac948885bee1e164243ce/75_smalldrawing3_v2.jpg" data-mid="36574595" border="0" alt="CONSTRUCT DECONSTRUCT RECONSTRUCT 12." data-caption="CONSTRUCT DECONSTRUCT RECONSTRUCT 12." src="https://freight.cargo.site/w/1000/i/45b455ab5b45cc1dbe71831b25184626cdd8eecb5ddac948885bee1e164243ce/75_smalldrawing3_v2.jpg" /&#62;
&#60;img width="3169" height="2276" width_o="3169" height_o="2276" data-src="https://freight.cargo.site/t/original/i/5c553d7987e12d09277130bac5a1d093b915c169e2ae3a8e4d29c6f9c6c4ee63/CONSTRUCT-DECONSTRUCT-RECONSTRUCT-10.jpg" data-mid="66142557" border="0" alt="CONSTRUCT DECONSTRUCT RECONSTRUCT 10." data-caption="CONSTRUCT DECONSTRUCT RECONSTRUCT 10." src="https://freight.cargo.site/w/1000/i/5c553d7987e12d09277130bac5a1d093b915c169e2ae3a8e4d29c6f9c6c4ee63/CONSTRUCT-DECONSTRUCT-RECONSTRUCT-10.jpg" /&#62;
&#60;img width="1600" height="1136" width_o="1600" height_o="1136" data-src="https://freight.cargo.site/t/original/i/ca092ee7564af279990e0079d575345ce94816063a6155047fd9ff152a3ae467/CONSTRUCT-DECONSTRUCT-RECONSTRUCT-9.jpg" data-mid="66142392" border="0" alt="CONSTRUCT DECONSTRUCT RECONSTRUCT 9." data-caption="CONSTRUCT DECONSTRUCT RECONSTRUCT 9." src="https://freight.cargo.site/w/1000/i/ca092ee7564af279990e0079d575345ce94816063a6155047fd9ff152a3ae467/CONSTRUCT-DECONSTRUCT-RECONSTRUCT-9.jpg" /&#62;
&#60;img width="1600" height="1134" width_o="1600" height_o="1134" data-src="https://freight.cargo.site/t/original/i/71399e2c7f7ed1ff30a7dde8f5c9a33ad99227a916d47951c0acc72bcf8d3fe4/CONSTRUCT-DECONSTRUCT-RECONSTRUCT-8.jpg" data-mid="66142261" border="0" alt="CONSTRUCT DECONSTRUCT RECONSTRUCT 8." data-caption="CONSTRUCT DECONSTRUCT RECONSTRUCT 8." src="https://freight.cargo.site/w/1000/i/71399e2c7f7ed1ff30a7dde8f5c9a33ad99227a916d47951c0acc72bcf8d3fe4/CONSTRUCT-DECONSTRUCT-RECONSTRUCT-8.jpg" /&#62;
&#60;img width="1600" height="1137" width_o="1600" height_o="1137" data-src="https://freight.cargo.site/t/original/i/7e1281607a55cd38f4b938dd5a9b8eaf60d77f804e45eea0e584d8fd9235a685/CONSTRUCT-DECONSTRUCT-RECONSTRUCT-7.jpg" data-mid="66142229" border="0" alt="CONSTRUCT DECONSTRUCT RECONSTRUCT 7." data-caption="CONSTRUCT DECONSTRUCT RECONSTRUCT 7." src="https://freight.cargo.site/w/1000/i/7e1281607a55cd38f4b938dd5a9b8eaf60d77f804e45eea0e584d8fd9235a685/CONSTRUCT-DECONSTRUCT-RECONSTRUCT-7.jpg" /&#62;
&#60;img width="3962" height="2822" width_o="3962" height_o="2822" data-src="https://freight.cargo.site/t/original/i/4157d026fe18652b54ea8028bb5c5b57c3c8fc5d2ce05574d34b6f28b93db457/CONSTRUCT-DECONSTRUCT-RECONSTRUCT-6.jpg" data-mid="66142178" border="0" alt="CONSTRUCT DECONSTRUCT RECONSTRUCT 6." data-caption="CONSTRUCT DECONSTRUCT RECONSTRUCT 6." src="https://freight.cargo.site/w/1000/i/4157d026fe18652b54ea8028bb5c5b57c3c8fc5d2ce05574d34b6f28b93db457/CONSTRUCT-DECONSTRUCT-RECONSTRUCT-6.jpg" /&#62;
&#60;img width="1600" height="1141" width_o="1600" height_o="1141" data-src="https://freight.cargo.site/t/original/i/80bb5a9ec2927a6a9e813f6923f60ae1beb6e8ef984831d574ff81730a620974/83_huge5.jpg" data-mid="36574597" border="0" alt="CONSTRUCT DECONSTRUCT RECONSTRUCT 5." data-caption="CONSTRUCT DECONSTRUCT RECONSTRUCT 5." src="https://freight.cargo.site/w/1000/i/80bb5a9ec2927a6a9e813f6923f60ae1beb6e8ef984831d574ff81730a620974/83_huge5.jpg" /&#62;
&#60;img width="2400" height="1692" width_o="2400" height_o="1692" data-src="https://freight.cargo.site/t/original/i/2548b2c62c34065c30668917541cb97c1d315de1618be01f31556df273287ef7/66_131.jpg" data-mid="36574593" border="0" alt="CONSTRUCT DECONSTRUCT RECONSTRUCT 2." data-caption="CONSTRUCT DECONSTRUCT RECONSTRUCT 2." src="https://freight.cargo.site/w/1000/i/2548b2c62c34065c30668917541cb97c1d315de1618be01f31556df273287ef7/66_131.jpg" /&#62;
&#60;img width="1600" height="1137" width_o="1600" height_o="1137" data-src="https://freight.cargo.site/t/original/i/e16ad4e99a4fb4c6c164dddaf04f79c477a9b8387da16e123a3f17a1fab586d9/drawing94.jpg" data-mid="36574598" border="0" alt="CONSTRUCT DECONSTRUCT RECONSTRUCT 4." data-caption="CONSTRUCT DECONSTRUCT RECONSTRUCT 4." src="https://freight.cargo.site/w/1000/i/e16ad4e99a4fb4c6c164dddaf04f79c477a9b8387da16e123a3f17a1fab586d9/drawing94.jpg" /&#62;
&#60;img width="2400" height="1698" width_o="2400" height_o="1698" data-src="https://freight.cargo.site/t/original/i/c4e6b620daca69a5029c45e8d4baaea109141855885df0fdc8e4b6bc72c90f73/66_b.jpg" data-mid="36574594" border="0" alt="CONSTRUCT DECONSTRUCT RECONSTRUCT 3." data-caption="CONSTRUCT DECONSTRUCT RECONSTRUCT 3." src="https://freight.cargo.site/w/1000/i/c4e6b620daca69a5029c45e8d4baaea109141855885df0fdc8e4b6bc72c90f73/66_b.jpg" /&#62;

	

















CONSTRUCT DECONSTRUCT RECONSTRUCT 2.


Drawing, acrylic paint, ink and detritus collage
on paper.


130 X 110cm.


2018.

























CONSTRUCT DECONSTRUCT RECONSTRUCT 3.


Drawing, acrylic paint, ink and detritus collage
on paper.


130 X 110cm.


2018.



















CONSTRUCT DECONSTRUCT RECONSTRUCT 4.


Drawing, acrylic paint, ink and detritus collage
on paper.


130 X 110cm.


2017.



CONSTRUCT DECONSTRUCT RECONSTRUCT 5.


Drawing, acrylic paint, ink and detritus collage
on paper.


260 X 220cm.


2017.


















CONSTRUCT DECONSTRUCT RECONSTRUCT 6.


Drawing, acrylic paint, ink and detritus collage
on paper.


130 X 110cm.


2017.
	

















CONSTRUCT DECONSTRUCT RECONSTRUCT 7.


Drawing, acrylic paint, ink and detritus collage
on paper.


130 X 110cm.


2017.



 CONSTRUCT DECONSTRUCT RECONSTRUCT 8.


Drawing, acrylic paint, ink and detritus collage
on paper.


130 X 110cm.


2017.



 CONSTRUCT DECONSTRUCT RECONSTRUCT 9.


Drawing, acrylic paint, ink and detritus collage
on paper.


130 X 110cm.


2016.



 CONSTRUCT DECONSTRUCT RECONSTRUCT 10.


Drawing, acrylic paint, ink and detritus collage
on paper.


130 X 110cm.


2016.



 CONSTRUCT DECONSTRUCT RECONSTRUCT 12.


Drawing, acrylic paint, ink and detritus collage
on paper.


50 X 50cm.


2019.





    



















DRAWING BOOK TWO.


Book made 2017.


Video recorded 2021.</description>
		
	</item>
		
		
	<item>
		<title>MAPS AND PLANS</title>
				
		<link>https://stephencarley.co.uk/MAPS-AND-PLANS</link>

		<pubDate>Fri, 01 Mar 2019 11:22:46 +0000</pubDate>

		<dc:creator>Stephen Carley</dc:creator>

		<guid isPermaLink="true">https://stephencarley.co.uk/MAPS-AND-PLANS</guid>

		<description>MAPS AND PLANS


&#60;img width="2967" height="3476" width_o="2967" height_o="3476" data-src="https://freight.cargo.site/t/original/i/e3977e98d2cea0f1ccd61732ceaef3884a896a33a121ec559b20e965512c489d/COVER.jpg" data-mid="238892255" border="0"  src="https://freight.cargo.site/w/1000/i/e3977e98d2cea0f1ccd61732ceaef3884a896a33a121ec559b20e965512c489d/COVER.jpg" /&#62;DRAIN COVER XX YELLOW KNOT 12X39X2 FLATTENED CHILDS CHAIR. 110cm X 90cm. 2025.








&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/d78cd0829413f13309eada01bde7649a3edb41f6c43fa5bb51229f51898af90f/WRIST.jpg" data-mid="238892230" border="0"  src="https://freight.cargo.site/w/1000/i/d78cd0829413f13309eada01bde7649a3edb41f6c43fa5bb51229f51898af90f/WRIST.jpg" /&#62;
&#60;img width="2680" height="3560" width_o="2680" height_o="3560" data-src="https://freight.cargo.site/t/original/i/2c91b45af3de14e43893b750496ed6978b0fb7efa1e0fa8dc54d023e5abe7da2/TK-MAX-.jpg" data-mid="238892127" border="0"  src="https://freight.cargo.site/w/1000/i/2c91b45af3de14e43893b750496ed6978b0fb7efa1e0fa8dc54d023e5abe7da2/TK-MAX-.jpg" /&#62;
&#60;img width="2953" height="2953" width_o="2953" height_o="2953" data-src="https://freight.cargo.site/t/original/i/f81ef4a0db6e4918a080a196b54cc16fc3a704f7f56c52123b16d244065fc2cd/D30-120-Erased-6-Mashing-Device-X..jpg" data-mid="238892042" border="0"  src="https://freight.cargo.site/w/1000/i/f81ef4a0db6e4918a080a196b54cc16fc3a704f7f56c52123b16d244065fc2cd/D30-120-Erased-6-Mashing-Device-X..jpg" /&#62;
&#60;img width="2953" height="2953" width_o="2953" height_o="2953" data-src="https://freight.cargo.site/t/original/i/57aadedec137e09304b0b15dc11287708bfc2111c5f9f40fea3189796185ca8e/Jamaica-WP-6.5-Bar-Pudding-Pot-36-Folding..jpg" data-mid="238892003" border="0"  src="https://freight.cargo.site/w/1000/i/57aadedec137e09304b0b15dc11287708bfc2111c5f9f40fea3189796185ca8e/Jamaica-WP-6.5-Bar-Pudding-Pot-36-Folding..jpg" /&#62;
&#60;img width="2953" height="2953" width_o="2953" height_o="2953" data-src="https://freight.cargo.site/t/original/i/75a997dfb1d1a06c4112014bed7a105a4a87f141405f3dc507f2e2f60cea3990/Airflow-Cuk-29391-X-Dots-Diamond-White..jpg" data-mid="238891982" border="0"  src="https://freight.cargo.site/w/1000/i/75a997dfb1d1a06c4112014bed7a105a4a87f141405f3dc507f2e2f60cea3990/Airflow-Cuk-29391-X-Dots-Diamond-White..jpg" /&#62;
&#60;img width="2953" height="2953" width_o="2953" height_o="2953" data-src="https://freight.cargo.site/t/original/i/5147706ae410743412dd9b1689041aaa5490c45ec6b400a76ea4e49f98533807/VJAA-Inverted-Floral-Insert-Fragment..jpg" data-mid="238891937" border="0"  src="https://freight.cargo.site/w/1000/i/5147706ae410743412dd9b1689041aaa5490c45ec6b400a76ea4e49f98533807/VJAA-Inverted-Floral-Insert-Fragment..jpg" /&#62;
Titles.

&#60;img width="5512" height="3730" width_o="5512" height_o="3730" data-src="https://freight.cargo.site/t/original/i/6b9602c2d1a0c5217feea88b45c11c6bcae24c4bf17a4917b7f03dc292b8ef0a/FILTER-USELESS-RAGE-painting.jpg" data-mid="218099930" border="0"  src="https://freight.cargo.site/w/1000/i/6b9602c2d1a0c5217feea88b45c11c6bcae24c4bf17a4917b7f03dc292b8ef0a/FILTER-USELESS-RAGE-painting.jpg" /&#62;
THE HEAT IS ON MAX. FILTER USELESS RAGE. 4 SENTINELS TRIPTYCH.

Acrylic, household and spray paint, varnish on canvas and various substrates with found forms and detritus.  (346cm X 221cm. 2024).
“I began to feel that I could really learn, investigate, by losing a lot of what I knew.”&#38;nbsp;
Phillip Guston.
Painting Not Painting? Sculpture Not Sculpture? Art Not Art?Arranging ‘stuff’. Detritus. ‘More is More’ principle.
Then take it back / strip it down. Reduction…Then put it all back again. Repeat.Keep it light. Keep it playful. Keep it almost throwaway.
Anathema to serious painting? What is serious painting?
“I pursue no objectives, no systems, no tendency; I have no program, no style, no direction. 
I have no time for specialised concerns, working themes, or variations that lead to mastery. 
I steer clear of definitions. I don’t know what I want. I am inconsistent, non-committal, passive; 
I like the indefinite, the boundless; I like continual uncertainty.”&#38;nbsp;Gerhard Richter.
Deconstructed. Pulled apart. Atomised. Intricate. Clumsy. Ugly / Beautiful.
On the edge of ‘not being art’. 
Arte Povera. Anti Painting. Anti Sculpture. Hybrid. A Combine* in the rawest sense.
*“It is neither Art for Art, nor Art against Art. I am for Art, but for Art that has nothing to do with Art. 
Art has everything to do with life, but it has nothing to do with Art.” &#38;nbsp;
Robert Rauschenberg.
Discarded, abandoned, overlooked, leftover. Stuff.
“When one is young and has experienced a good deal of rejection, you want to show everyone how tough you are. 
Later you want to show how clever you are. Later still, you want to see how far you can push yourself. 
And finally, you don’t give a f**k about anything, you just want to howl at the moon.” &#38;nbsp;John Hoyland.
Tests. Always testing. What will this do… Can this go there… 
Physical remnants of the city forced into new shapes, new contexts. 
I am in a constant state of knowing and not knowing. 
Tests. Testing. Keep testing.Painting Not Painting.
Sculpture Not Sculpture.
Art Not Art.
Expanded practise...


Painting is not; ‘doing the right thing’.

Painting is not; designed to impress.

Painting is not; his or hers.&#38;nbsp;
‘Painting is; a breath on a mirror, a footprint, grease on a towel, blood on a stone, damp wallpaper, torn advertising, meaningless graffiti, melting snow, dead leaves, weathered paint, broken windows, neglected gardens, a cry, a smile, a scream, defacement on defacement.’&#38;nbsp;John Hoyland.

&#60;img width="1181" height="1181" width_o="1181" height_o="1181" data-src="https://freight.cargo.site/t/original/i/3b44f723485134b87adf6c5be9d0370324be1abc236f3cf1738e946903c30745/small-file-ABACUS-X-METAL-GRID-EMPIRE-RIB-LANDSCAPE.jpg" data-mid="179566260" border="0"  src="https://freight.cargo.site/w/1000/i/3b44f723485134b87adf6c5be9d0370324be1abc236f3cf1738e946903c30745/small-file-ABACUS-X-METAL-GRID-EMPIRE-RIB-LANDSCAPE.jpg" /&#62;

ABACUS. X. METAL GRID. EMPIRE RIB LANDSCAPE WITH CAST FORMS.

Acrylic, household and spray paint, varnish on canvas and plywood with various found forms and detritus. (233cm X 233cm. 2023).
&#60;img width="1856" height="1340" width_o="1856" height_o="1340" data-src="https://freight.cargo.site/t/original/i/ccbeb401b01e5f535a4d91c731a5e44fb322095c32349369bd084fb1072a92bd/ARTWORKED-ACTUAL.jpg" data-mid="205992443" border="0"  src="https://freight.cargo.site/w/1000/i/ccbeb401b01e5f535a4d91c731a5e44fb322095c32349369bd084fb1072a92bd/ARTWORKED-ACTUAL.jpg" /&#62;DROP-LEAF UPENDED WHITE X UNSEATED BAG STUMP DIAGRAM BREATH.

Acrylic, household and spray paint, varnish, detritus collage and found objects on various substrates.&#38;nbsp;(300cm X 199cm. 2023).
&#60;img width="3757" height="2484" width_o="3757" height_o="2484" data-src="https://freight.cargo.site/t/original/i/575deebc3af295e7a02d5ec21f638486cfbfcbcf76bc89d0505a49b9d27dd67f/KING-QUEEN-FINISHED.jpg" data-mid="205992691" border="0"  src="https://freight.cargo.site/w/1000/i/575deebc3af295e7a02d5ec21f638486cfbfcbcf76bc89d0505a49b9d27dd67f/KING-QUEEN-FINISHED.jpg" /&#62;
QUEEN INVERTED KING DOUBLE X THRONE. FRAGMENTS AND STUFF.
Found objects and detritus, acrylic and spray paint, varnish on various substrates.
(238cm X 156cm. 2023).

&#60;img width="3653" height="3644" width_o="3653" height_o="3644" data-src="https://freight.cargo.site/t/original/i/706e5a6bfc35a6f734a95aa16939cbe56f5f96211e6235f16a735800d9493f16/2ONE2FOURONE-TRALALALALA_crop.jpg" data-mid="65896818" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/706e5a6bfc35a6f734a95aa16939cbe56f5f96211e6235f16a735800d9493f16/2ONE2FOURONE-TRALALALALA_crop.jpg" /&#62;
2ONE2FOURONE TRA LA LA LA LA.

Acrylic,household paint, spray paint, varnish, detritus collage on canvas.
(250cm x 250cm. 2019).

&#60;img width="3543" height="2160" width_o="3543" height_o="2160" data-src="https://freight.cargo.site/t/original/i/50fc65def4533676674ed4a611da1a36a3fdddbb2232dce32b198be4aafc5a24/BACKver.jpg" data-mid="206389903" border="0"  src="https://freight.cargo.site/w/1000/i/50fc65def4533676674ed4a611da1a36a3fdddbb2232dce32b198be4aafc5a24/BACKver.jpg" /&#62;
TEXT FRAGMENTS YELLOW SCREE DISPERSED FORMS WITH SMALL SUITCASE &#38;amp; RESCUED FACTORY ENTRANCE BUZZER.
Acrylic, household, spray paint, varnish, cement on canvas, plywood, cardboard with various found forms and detritus.(350cm X 213cm. 2024).

&#60;img width="1181" height="760" width_o="1181" height_o="760" data-src="https://freight.cargo.site/t/original/i/ea0541bbeb767f6aee0bef88baa2c66ded1b3b4bd1d05a9a59e86331034d57ad/PALE-GHOST.jpg" data-mid="150652478" border="0"  src="https://freight.cargo.site/w/1000/i/ea0541bbeb767f6aee0bef88baa2c66ded1b3b4bd1d05a9a59e86331034d57ad/PALE-GHOST.jpg" /&#62;PALE GHOST (BHF) WITH DIAMONDS AND ERASED MEMORIES.
Acrylic, household
paint, varnish, detritus collage on canvas, plywood and found substrates. &#38;nbsp;(340cm X 230cm. 2022).
&#60;img width="1811" height="794" width_o="1811" height_o="794" data-src="https://freight.cargo.site/t/original/i/d312034194c84f3b4c950a0621295ba8a7b7d85e032ae14a0f31f2e68b18f809/BLIND-SUMMIT-TRYPTICH.-BOUNDARIES-BORDERS-STANDING-FORMS.jpg" data-mid="100473744" border="0"  src="https://freight.cargo.site/w/1000/i/d312034194c84f3b4c950a0621295ba8a7b7d85e032ae14a0f31f2e68b18f809/BLIND-SUMMIT-TRYPTICH.-BOUNDARIES-BORDERS-STANDING-FORMS.jpg" /&#62;BLIND SUMMIT. TRIPTYCH.&#38;nbsp;BOUNDARIES, BORDERS,
STANDING FORMS.
Acrylic, household
paint, varnish, detritus collage on canvas, plywood slate and found substrates. 
(3.35cm X 1.67cm. 2020).
&#60;img width="2362" height="1155" width_o="2362" height_o="1155" data-src="https://freight.cargo.site/t/original/i/d320cfbb12bddcf285ecd0d0e95e3742b1f343b50cf4ff16719ced36c7f6601b/GHOST-CROSSES-GRID-STITCH-.jpg" data-mid="206201148" border="0"  src="https://freight.cargo.site/w/1000/i/d320cfbb12bddcf285ecd0d0e95e3742b1f343b50cf4ff16719ced36c7f6601b/GHOST-CROSSES-GRID-STITCH-.jpg" /&#62;
GHOST CROSSES GRID STITCH DIAMONDS DOTS ETC LANDSCAPE.
Acrylic, household and spray paint, varnish, detritus collage and found objects on canvas, plywood, MDF and wrought iron work. (270cm X 167cm. 2022).

&#60;img width="2268" height="1954" width_o="2268" height_o="1954" data-src="https://freight.cargo.site/t/original/i/c933348d2b04d79861c030ac3439d4650a3da94be2b664e1bb8999f3e4bfba07/DIAMOND-AS-LATE-ADDITION-TO-THE-LAY-OF-THE-LAND.jpg" data-mid="100473746" border="0"  src="https://freight.cargo.site/w/1000/i/c933348d2b04d79861c030ac3439d4650a3da94be2b664e1bb8999f3e4bfba07/DIAMOND-AS-LATE-ADDITION-TO-THE-LAY-OF-THE-LAND.jpg" /&#62;






THE DIAMOND AS A LATE ADDITION TO THE LAY
OF THE LAND. 


Acrylic, household paint, spray paint,
varnish, detritus collage, found objects on canvas, MDF and old notice board. 
(215cm&#38;nbsp; X 182cm. 2020).
&#60;img width="1969" height="1341" width_o="1969" height_o="1341" data-src="https://freight.cargo.site/t/original/i/7f4f0fd1ab60ca0ac28dda9d329c89ff3fecf849300814ecfc97b79deb61d760/REWORKED-small.jpg" data-mid="205992985" border="0"  src="https://freight.cargo.site/w/1000/i/7f4f0fd1ab60ca0ac28dda9d329c89ff3fecf849300814ecfc97b79deb61d760/REWORKED-small.jpg" /&#62;
ENCLOSURES, NUDGING FORMS, SEAMS, EMPIRE RIB 3167 REMIX.
Acrylic, household and spray paint, varnish, detritus collage and found objects on canvas.(320cm X 220cm.2021. Remixed 2023).
&#60;img width="2268" height="1769" width_o="2268" height_o="1769" data-src="https://freight.cargo.site/t/original/i/e0dde14f8aae294befd915916ef66258071d31793a6a45d6fb0a3ba36da6c8cf/DPK-T-SQUARE-SECTION-LAND-SEA-AND-SKY.jpg" data-mid="100473770" border="0"  src="https://freight.cargo.site/w/1000/i/e0dde14f8aae294befd915916ef66258071d31793a6a45d6fb0a3ba36da6c8cf/DPK-T-SQUARE-SECTION-LAND-SEA-AND-SKY.jpg" /&#62;

















DPK T SQUARE SECTION LAND SEA AND SKY. 


Acrylic, household paint,
spray paint, varnish, detritus collage and found objects on canvas and an old
office desktop. 
(206cm&#38;nbsp; x 161cm. 2020).






&#60;img width="2835" height="1619" width_o="2835" height_o="1619" data-src="https://freight.cargo.site/t/original/i/397f42423e953676d73d81f2a16d490f528eb9f2bc42cfef47d65bf793474bdc/FOUR-PANELS-ANTI-CLOCKWISE-LANDSCAPE-FRAGMENTS-AS-CODE.jpg" data-mid="100473773" border="0"  src="https://freight.cargo.site/w/1000/i/397f42423e953676d73d81f2a16d490f528eb9f2bc42cfef47d65bf793474bdc/FOUR-PANELS-ANTI-CLOCKWISE-LANDSCAPE-FRAGMENTS-AS-CODE.jpg" /&#62;


















4 PANELS. ANTI CLOCKWISE LANDSCAPE /
FRAGMENTS AS CODE.


Acrylic, household and spray paint,
varnish, detritus collage on canvas, plywood and found substrate. 
(300cm x 167cm. 2020).
&#60;img width="4076" height="3078" width_o="4076" height_o="3078" data-src="https://freight.cargo.site/t/original/i/4862b06d450abee024d307aaae52b87ee18757ec12fb469c7322f4114277c83c/GREY-P40-3X-s.jpg" data-mid="65892391" border="0" alt="GREY P40 3X&#38;rsquo;s (200cm x 150cm)" data-caption="GREY P40 3X’s (200cm x 150cm)" src="https://freight.cargo.site/w/1000/i/4862b06d450abee024d307aaae52b87ee18757ec12fb469c7322f4114277c83c/GREY-P40-3X-s.jpg" /&#62;GREY P40 3X’s.
Acrylic,
household paint, spray paint, varnish, detritus collage on canvas and found
substrate. (200cm x 150cm. 2018).

&#60;img width="2875" height="1421" width_o="2875" height_o="1421" data-src="https://freight.cargo.site/t/original/i/40eea0ce8c44a46e26494759014c398c5520e73adb760ade7af38b2e55356e57/SLATES-AND-CROSSES_small.jpg" data-mid="65893823" border="0" alt="SLATES AND CROSSES (250cm x 125cm)" data-caption="SLATES AND CROSSES (250cm x 125cm)" src="https://freight.cargo.site/w/1000/i/40eea0ce8c44a46e26494759014c398c5520e73adb760ade7af38b2e55356e57/SLATES-AND-CROSSES_small.jpg" /&#62;SLATES AND CROSSES.
Acrylic,
household paint, spray paint, varnish, detritus collage on canvas, OSB board and found
substrate. (250cm x 125cm. 2018).
&#60;img width="5744" height="5220" width_o="5744" height_o="5220" data-src="https://freight.cargo.site/t/original/i/a486f2c43e2cc0dd61a7f71e887e64c0abb3ea438e82842db5deb16eab14627c/NEW-ONE-FINAL.jpg" data-mid="150654901" border="0"  src="https://freight.cargo.site/w/1000/i/a486f2c43e2cc0dd61a7f71e887e64c0abb3ea438e82842db5deb16eab14627c/NEW-ONE-FINAL.jpg" /&#62;
EARTH DECK MIXER. SHADOWS AND PULSES. 16 PINS AND VENT.
Acrylic, household and spray paint, varnish, detritus collage and found objects on canvas, plywood, MDF and found substrates. (270cm &#38;nbsp;x 240cm. 2022).

&#60;img width="1969" height="1283" width_o="1969" height_o="1283" data-src="https://freight.cargo.site/t/original/i/a3f3b97fdb7e6832bebee757ed0bd50d5e0cd75e90b94caf7a47abc08a80c763/painting-twitter-etc-ready.jpg" data-mid="65892392" border="0" alt="ES O EY P. 12 DOTS. 3 CROSSES. LANDSCAPE. (240cm x 155cm)" data-caption="ES O EY P. 12 DOTS. 3 CROSSES. LANDSCAPE. (240cm x 155cm)" src="https://freight.cargo.site/w/1000/i/a3f3b97fdb7e6832bebee757ed0bd50d5e0cd75e90b94caf7a47abc08a80c763/painting-twitter-etc-ready.jpg" /&#62;ES O EY P. 12 DOTS. 3 CROSSES. LANDSCAPE. 
Acrylic,
household paint, spray paint, varnish, detritus collage on canvas and found
substrate. (240cm x 155cm. 2020).

&#60;img width="3651" height="3663" width_o="3651" height_o="3663" data-src="https://freight.cargo.site/t/original/i/96e2bd9706237c08631ff75ca1e04cc042655b8e14aa91ef521f99f49693bb89/paynes-grey-vertical-drag-yellow-dot_crop.jpg" data-mid="65895717" border="0" alt="PAYNES GREY VERTICAL DRAG YELLOW DOT (250cm x 250cm)" data-caption="PAYNES GREY VERTICAL DRAG YELLOW DOT (250cm x 250cm)" src="https://freight.cargo.site/w/1000/i/96e2bd9706237c08631ff75ca1e04cc042655b8e14aa91ef521f99f49693bb89/paynes-grey-vertical-drag-yellow-dot_crop.jpg" /&#62;PAYNES GREY VERTICAL DRAG YELLOW DOT.
Acrylic,
household paint, spray paint, varnish, detritus collage on canvas and found
substrate. (250cm x 250cm. 2019).



</description>
		
	</item>
		
		
	<item>
		<title>Systems</title>
				
		<link>https://stephencarley.co.uk/Systems</link>

		<pubDate>Fri, 01 Mar 2019 11:41:36 +0000</pubDate>

		<dc:creator>Stephen Carley</dc:creator>

		<guid isPermaLink="true">https://stephencarley.co.uk/Systems</guid>

		<description>SYSTEMS

    

ABSTRACT MEMORY.


Gif.


looped.


2018.







Systems. Sequences. Snapshots. Click Click Click.



 The photograms
suggested much more. 


Rhythms.
Beats. Sequences. 


A conversation
with a drummer was the catalyst to take things further. 


Looking at the
photogram sequences the response was to tap out beats, phrases, patterns… 


‘These are
percussive scores’ was the observation…


DRIFT was an
audio response to three photograms which were seen as the initial ‘score’ to
improvise and compose around field recordings and lo-fi sample loops...
DRIFT.&#60;img width="1200" height="1184" width_o="1200" height_o="1184" data-src="https://freight.cargo.site/t/original/i/157f71faf2bdf3a935cba00e37f9a628b8fa892376b683d4bab35b9a06841aaf/a2289307025_10.jpg" data-mid="244040667" border="0"  src="https://freight.cargo.site/w/1000/i/157f71faf2bdf3a935cba00e37f9a628b8fa892376b683d4bab35b9a06841aaf/a2289307025_10.jpg" /&#62;
Bear in mind that parts
of the score may be devoid of direct musical relevance.&#38;nbsp;Cornelius Cardew. 







 

















Snapshots. Snapshots. Click click
click.


Motorways. Railways. Blur. Repetition. Sequences.
Loops. Sequences. Loops.



The enemy of
photography is the convention, the fixed rules of 'how to do.' The salvation of
photography comes from the experiment.” Lazlo
Moholy Nagy.





Maps, plans, birds-eye views. Drawings with light.


The darkroom as a creative space. A place of alchemy,
surprises, celebrated mistakes. 


A place where rules and discipline are in a fine
balance with the element of chance.

“When I make a photograph I want it to be an
altogether new object, complete and self contained, whose basic conditions are
order - unlike the world of events and actions whose permanent condition is
change and disorder.” &#38;nbsp;Aaron Siskind.









&#60;img width="2758" height="1379" width_o="2758" height_o="1379" data-src="https://freight.cargo.site/t/original/i/969a2b32e1050363a2edba5939216a6f7e92b6c761955327c6f3cacc66441809/TUBES-AND-LINES.jpg" data-mid="102363206" border="0" alt="TUBES AND LINES." data-caption="TUBES AND LINES." src="https://freight.cargo.site/w/1000/i/969a2b32e1050363a2edba5939216a6f7e92b6c761955327c6f3cacc66441809/TUBES-AND-LINES.jpg" /&#62;
&#60;img width="2830" height="1417" width_o="2830" height_o="1417" data-src="https://freight.cargo.site/t/original/i/2d7d7c340938f29761da42b805a678548396be57ddc0247ab37d72e22c328a6a/DOT-DOT-CROSS-NO-DASH.jpg" data-mid="102362970" border="0" alt="DOT DOT CROSS NO DASH." data-caption="DOT DOT CROSS NO DASH." src="https://freight.cargo.site/w/1000/i/2d7d7c340938f29761da42b805a678548396be57ddc0247ab37d72e22c328a6a/DOT-DOT-CROSS-NO-DASH.jpg" /&#62;
&#60;img width="15234" height="7618" width_o="15234" height_o="7618" data-src="https://freight.cargo.site/t/original/i/4b4af62dd0b5ffcfe05fe3a3182b6d6d65e4778748d10f61908f6be1467868a8/LIGHT-DRAWING-MACHINE-PART.jpg" data-mid="102363308" border="0" alt="LIGHT DRAWING MACHINE PART." data-caption="LIGHT DRAWING MACHINE PART." src="https://freight.cargo.site/w/1000/i/4b4af62dd0b5ffcfe05fe3a3182b6d6d65e4778748d10f61908f6be1467868a8/LIGHT-DRAWING-MACHINE-PART.jpg" /&#62;
&#60;img width="2773" height="1387" width_o="2773" height_o="1387" data-src="https://freight.cargo.site/t/original/i/db06ef512911fcec4b04302abaf13d13ea751ea8cfc71ff9218c4216ceefca62/SHREDS.jpg" data-mid="102363555" border="0" alt="SHREDS." data-caption="SHREDS." src="https://freight.cargo.site/w/1000/i/db06ef512911fcec4b04302abaf13d13ea751ea8cfc71ff9218c4216ceefca62/SHREDS.jpg" /&#62;
&#60;img width="2835" height="1417" width_o="2835" height_o="1417" data-src="https://freight.cargo.site/t/original/i/aa9c298d6cbe7e4979a11ba54a34f6907143522687f56591d223ca8370f789fd/WAVE-UPON-WAVE-TWO-SMALL-CROSSES.jpg" data-mid="102363860" border="0" alt="WAVE UPON WAVE TWO SMALL CROSSES." data-caption="WAVE UPON WAVE TWO SMALL CROSSES." src="https://freight.cargo.site/w/1000/i/aa9c298d6cbe7e4979a11ba54a34f6907143522687f56591d223ca8370f789fd/WAVE-UPON-WAVE-TWO-SMALL-CROSSES.jpg" /&#62;
&#60;img width="11817" height="5894" width_o="11817" height_o="5894" data-src="https://freight.cargo.site/t/original/i/7e74b40a3f3837238ef7a9ffc91be7c22a3bf54f77755cc1d6bdf77a14000e0d/JUMBLED-LETTER-FORMS-BLURRED-SHADOW.jpg" data-mid="102363616" border="0" alt="JUMBLED LETTER FORMS BLURRED SHADOW." data-caption="JUMBLED LETTER FORMS BLURRED SHADOW." src="https://freight.cargo.site/w/1000/i/7e74b40a3f3837238ef7a9ffc91be7c22a3bf54f77755cc1d6bdf77a14000e0d/JUMBLED-LETTER-FORMS-BLURRED-SHADOW.jpg" /&#62;
&#60;img width="2764" height="1382" width_o="2764" height_o="1382" data-src="https://freight.cargo.site/t/original/i/4edd05f77d8685062b0b4b053fd2d481bb98d4f3adee068bbae8ae3474ce6ca7/MACHINE-BREAKS-VIBRATES.jpg" data-mid="102363705" border="0" alt="MACHINE BREAKS VIBRATES." data-caption="MACHINE BREAKS VIBRATES." src="https://freight.cargo.site/w/1000/i/4edd05f77d8685062b0b4b053fd2d481bb98d4f3adee068bbae8ae3474ce6ca7/MACHINE-BREAKS-VIBRATES.jpg" /&#62;




	

















DOT DOT CROSS NO DASH.


Photogram on light sensitive paper.


51cm X 101cm.


2020.



TUBES AND LINES.


Photogram on light sensitive paper.


51cm X 101cm.


2018.



LIGHT DRAWING MACHINE PART.


Photogram on light sensitive paper.


51cm X 101cm.
2020.



SHREDS.
Photogram on light sensitive paper.
51cm X 101cm.
2018.







	JUMBLED LETTER FORMS BLURRED SHADOW.Photogram on light sensitive paper.51cm X 101cm.2020.


MACHINE BREAKS VIBRATES.Photogram on light sensitive paper.51cm X 101cm.2018.


WAVE UPON WAVE TWO SMALL CROSSES.Photogram on light sensitive paper.51cm X 101cm.2020.


    



    



    



</description>
		
	</item>
		
		
	<item>
		<title>THE DRIFT</title>
				
		<link>https://stephencarley.co.uk/THE-DRIFT</link>

		<pubDate>Fri, 01 Mar 2019 11:45:22 +0000</pubDate>

		<dc:creator>Stephen Carley</dc:creator>

		<guid isPermaLink="true">https://stephencarley.co.uk/THE-DRIFT</guid>

		<description>THE DRIFT
&#60;img width="4605" height="2835" width_o="4605" height_o="2835" data-src="https://freight.cargo.site/t/original/i/2b6879041f5fafe82d80a964def2a4e74fcfc9dbb5c73f7a395d006732b6c087/DRIFT-SET-ONE.jpg" data-mid="100215281" border="0"  src="https://freight.cargo.site/w/1000/i/2b6879041f5fafe82d80a964def2a4e74fcfc9dbb5c73f7a395d006732b6c087/DRIFT-SET-ONE.jpg" /&#62;
Process 















 Camera &#124; Film &#124; Location X2 &#124;
35mm Double Exposures






Walking between locations. Images physically meshed together. Out of alignment, overlapped, double exposed. The General Cemetery and City Centre re-developments. Old, decaying urban infrastructure and spanking new student flat complexes. The city in the dead of night and the city centre river Don in the sunshine.



Walking.
Journeys. Maps. The path of least resistance.



















“He reached the
foot of the embankment, and waved with one arm, shouting at the few cars moving
along the westbound carriageway. None of the drivers could see him, let alone
hear his dry-throated croak, and Maitland stopped, conserving his strength. He
tried to climb the embankment, but within a few steps collapsed in a heap on
the muddy slope. 



Deliberately, he turned his back to the motorway and for the first time
began to inspect the island. 



'Maitland, poor man, you're marooned here like Crusoe – If you don't
look out you'll be beached here for ever...' 



He had spoken no more than the truth. This patch of abandoned ground
left over at the junction of three motorway routes was literally a deserted
island. Angry with himself, Maitland lifted the crutch to strike this
meaningless soil.”&#38;nbsp; 


J.G. Ballard, Concrete Island. 
&#60;img width="8268" height="5906" width_o="8268" height_o="5906" data-src="https://freight.cargo.site/t/original/i/b946da754df5484694cb7531d667e00519d181e987fff29650d91cf732955760/BRITT-SHEFF-COMP-FOUR.jpg" data-mid="243187046" border="0"  src="https://freight.cargo.site/w/1000/i/b946da754df5484694cb7531d667e00519d181e987fff29650d91cf732955760/BRITT-SHEFF-COMP-FOUR.jpg" /&#62;
&#60;img width="8268" height="5906" width_o="8268" height_o="5906" data-src="https://freight.cargo.site/t/original/i/447dd7009f87dd63f79158a459c87c6522fbde4130abbbaed678561f9a9fbe93/CLOSE-UP-COMP-ONE.jpg" data-mid="243187056" border="0"  src="https://freight.cargo.site/w/1000/i/447dd7009f87dd63f79158a459c87c6522fbde4130abbbaed678561f9a9fbe93/CLOSE-UP-COMP-ONE.jpg" /&#62;
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&#60;img width="8268" height="5906" width_o="8268" height_o="5906" data-src="https://freight.cargo.site/t/original/i/9981a1bca0d137f99725508b75b73267f703b79b1710b3fe9bb34a43e0ffdccd/BRITT-SHEFF-COMP-ONE.jpg" data-mid="243187080" border="0"  src="https://freight.cargo.site/w/1000/i/9981a1bca0d137f99725508b75b73267f703b79b1710b3fe9bb34a43e0ffdccd/BRITT-SHEFF-COMP-ONE.jpg" /&#62;
&#60;img width="8268" height="5906" width_o="8268" height_o="5906" data-src="https://freight.cargo.site/t/original/i/0e30fb762e1090ce35ddd9b012da6eaa0e95300a00aaa0cef040157c4d3679e9/GIRDERS-AND-CITY.jpg" data-mid="243187089" border="0"  src="https://freight.cargo.site/w/1000/i/0e30fb762e1090ce35ddd9b012da6eaa0e95300a00aaa0cef040157c4d3679e9/GIRDERS-AND-CITY.jpg" /&#62;
&#60;img width="8268" height="5906" width_o="8268" height_o="5906" data-src="https://freight.cargo.site/t/original/i/ed928a49fe99dee070f214ac05566728d90688e1ff92fad800d41a7448eb4795/SEPT-2019-CITY.jpg" data-mid="243187101" border="0"  src="https://freight.cargo.site/w/1000/i/ed928a49fe99dee070f214ac05566728d90688e1ff92fad800d41a7448eb4795/SEPT-2019-CITY.jpg" /&#62;
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&#60;img width="8268" height="5906" width_o="8268" height_o="5906" data-src="https://freight.cargo.site/t/original/i/5e0c6207718053d0eae9e9c838595fd51a07b8f0bc2cb44828b4507eb87fc86b/STUDIO-CEM-COMP-ONE.jpg" data-mid="243187127" border="0"  src="https://freight.cargo.site/w/1000/i/5e0c6207718053d0eae9e9c838595fd51a07b8f0bc2cb44828b4507eb87fc86b/STUDIO-CEM-COMP-ONE.jpg" /&#62;
&#60;img width="8268" height="5906" width_o="8268" height_o="5906" data-src="https://freight.cargo.site/t/original/i/4e0e8b30f68bc0c420407c588abb4891c304dffe69a016f108026366e2389d13/THIN-CITIES.jpg" data-mid="243187135" border="0"  src="https://freight.cargo.site/w/1000/i/4e0e8b30f68bc0c420407c588abb4891c304dffe69a016f108026366e2389d13/THIN-CITIES.jpg" /&#62;

“With cities,
it is as with dreams: everything imaginable can be dreamed, but even the most
unexpected dream is a rebus that conceals a desire or, its reverse, a fear.
Cities, like dreams, are made of desires and fears, even if the thread of their
discourse is secret, their rules are absurd, their perspectives deceitful, and
everything conceals something else.”
Italo
Calvino, Invisible Cities.


&#60;img width="4605" height="2835" width_o="4605" height_o="2835" data-src="https://freight.cargo.site/t/original/i/127265f66d9280769d97e4fe1e788dc2455bfa4d672ec37ef5f3aa1ca4c83dc7/DRIFT-SET-FOUR.jpg" data-mid="100215423" border="0"  src="https://freight.cargo.site/w/1000/i/127265f66d9280769d97e4fe1e788dc2455bfa4d672ec37ef5f3aa1ca4c83dc7/DRIFT-SET-FOUR.jpg" /&#62;
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&#60;img width="4605" height="2835" width_o="4605" height_o="2835" data-src="https://freight.cargo.site/t/original/i/a3a61b26248578474296b80345cbb47a4dcce47fc567d1f2095da5f4cdcd8417/DRIFT-SET-THREE.jpg" data-mid="100215424" border="0"  src="https://freight.cargo.site/w/1000/i/a3a61b26248578474296b80345cbb47a4dcce47fc567d1f2095da5f4cdcd8417/DRIFT-SET-THREE.jpg" /&#62;

&#60;img width="1636" height="1031" width_o="1636" height_o="1031" data-src="https://freight.cargo.site/t/original/i/49e48e6ed95dd8783fd5443e3cb97aebba96c8576268be55a8c0271ccea3c23f/05.jpg" data-mid="100215617" border="0"  src="https://freight.cargo.site/w/1000/i/49e48e6ed95dd8783fd5443e3cb97aebba96c8576268be55a8c0271ccea3c23f/05.jpg" /&#62;
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&#60;img width="1990" height="1299" width_o="1990" height_o="1299" data-src="https://freight.cargo.site/t/original/i/d3eae6d7e5d9344bee839ce37f73e1c62be363052e2e65a9364d2f041f2018be/13.jpg" data-mid="100215620" border="0"  src="https://freight.cargo.site/w/1000/i/d3eae6d7e5d9344bee839ce37f73e1c62be363052e2e65a9364d2f041f2018be/13.jpg" /&#62;


    



    

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	<item>
		<title>Volunteers</title>
				
		<link>https://stephencarley.co.uk/Volunteers</link>

		<pubDate>Fri, 01 Mar 2019 11:47:46 +0000</pubDate>

		<dc:creator>Stephen Carley</dc:creator>

		<guid isPermaLink="true">https://stephencarley.co.uk/Volunteers</guid>

		<description>12 VOLUNTEERS
&#60;img width="5906" height="5651" width_o="5906" height_o="5651" data-src="https://freight.cargo.site/t/original/i/9f499015748c89e44191d3c8766e477b75eccd54ec1d2e4183e5779ceba7a146/the-volunteers-2.jpg" data-mid="36577692" border="0"  src="https://freight.cargo.site/w/1000/i/9f499015748c89e44191d3c8766e477b75eccd54ec1d2e4183e5779ceba7a146/the-volunteers-2.jpg" /&#62;&#60;img width="5906" height="5651" width_o="5906" height_o="5651" data-src="https://freight.cargo.site/t/original/i/f554200831681ca5b45e91aca423267afbb30b179864d46048a59a38e3d86e0c/the-volunteers-4.jpg" data-mid="36577713" border="0"  src="https://freight.cargo.site/w/1000/i/f554200831681ca5b45e91aca423267afbb30b179864d46048a59a38e3d86e0c/the-volunteers-4.jpg" /&#62;


Process&#38;nbsp;No Props &#124; No Poppies &#124; No Expressions of Grief &#124; Anger &#124; Fear &#124; No Celebration of Victory &#124; No Soapboxing About the Futility of War&#38;nbsp;
12 photographs. 12 current KES* students holding a portrait of a KES student killed in WW1.100 years on… 17 or 18 years of age. The singularly consistent connection between the two students.Reflection. Contemplation. What if’s and maybes… To mark 100 years since the end of the ‘war to end all wars’. Students ‘volunteered’ to take their place in front of the camera and have their photograph taken. The black ominous background and flat lighting technique were crucial to create an image that, when printed at ‘life-size’ gave the impression of the two figures emerging from or sinking back into the darkness. The photographs were taken in the rooms now occupied by Art and Photography. These were once science labs. The students from 100 years ago could well have had one of their last lessons in this room before marching off to the mud, blood and trenches of the Western Front.

My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori.
Wilfred Owen.
*KES - King Edward VII School, Sheffield.

&#60;img width="5906" height="5651" width_o="5906" height_o="5651" data-src="https://freight.cargo.site/t/original/i/222e99a39fb617680a6554d876df13dad0cfe839bc2d45fa3a9a20da03a1de6a/the-volunteers-1.jpg" data-mid="36577678" border="0"  src="https://freight.cargo.site/w/1000/i/222e99a39fb617680a6554d876df13dad0cfe839bc2d45fa3a9a20da03a1de6a/the-volunteers-1.jpg" /&#62;&#60;img width="5906" height="5651" width_o="5906" height_o="5651" data-src="https://freight.cargo.site/t/original/i/bb47f8e302cd3d710d1f374503070eed46c3bf496ec932aef7b5fea7eab67fd7/the-volunteers-3-1.jpg" data-mid="36577702" border="0"  src="https://freight.cargo.site/w/1000/i/bb47f8e302cd3d710d1f374503070eed46c3bf496ec932aef7b5fea7eab67fd7/the-volunteers-3-1.jpg" /&#62;</description>
		
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	<item>
		<title>Home Image Scroll</title>
				
		<link>https://stephencarley.co.uk/Home-Image-Scroll</link>

		<pubDate>Tue, 05 Feb 2019 18:04:25 +0000</pubDate>

		<dc:creator>Stephen Carley</dc:creator>

		<guid isPermaLink="true">https://stephencarley.co.uk/Home-Image-Scroll</guid>

		<description>
    
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	<item>
		<title>Info</title>
				
		<link>https://stephencarley.co.uk/Info</link>

		<pubDate>Tue, 05 Feb 2019 18:04:26 +0000</pubDate>

		<dc:creator>Stephen Carley</dc:creator>

		<guid isPermaLink="true">https://stephencarley.co.uk/Info</guid>

		<description>I'm an Artist / Teacher. 
stephen_carley@sky.com

My work is completely concerned with context, process and materials. I make paintings, drawings and collages, often on a very large scale. I use the dark room as an experimental space, making camera less imagery and double exposed 35mm. I use Lo-Fi audio techniques collecting field recordings and glitched samples. The audio is filtered, cut up, reconfigured, sequenced and looped. I have often chosen to use 'poor' materials – for example, dust, cardboard, chalk on blackboards, lead, chocolate, ashes, water and other stuff. I work with discarded found materials collected between home and studio. I make short films that rely on repetition, loops and repeats. I like to give the viewer / audience / student, room to manoeuvre intellectually. I'm not really interested in simply making work that has to fit on a mantle shelf, an office wall, a stage or a commercial white cube space, however, I am interested in engaging with ideas that subvert or possibly complement those contexts. My work is sometimes intentionally confrontational, sometimes intentionally beautiful. Profanities, congested space, white noise, ugly / beautiful, process led – 'making a mark'. I try to avoid associations with art HIStory. &#38;nbsp;

This is my 'punk rock'.
    



	
CV


	Education;


Foundation Art and
Design
 The College, Swindon,
Wiltshire.&#38;nbsp;
1979–80

BA
(Hons) Fine Art 
Gloucestershire
College of Art and Technology
1980–83&#38;nbsp;



MA Printmaking
Chelsea School of Art&#38;nbsp;
1983–84&#38;nbsp;



Printmaking Fellow
Sunderland Polytechnic
1984–85&#38;nbsp;



Artists in Education
Training Project
Leicester Polytechnic&#38;nbsp;
1991–92&#38;nbsp;



Certificate in
Education (post 16)
 Sheffield Hallam University
1993–94&#38;nbsp;



PGCE Art and Design
(Secondary Education)
Leeds
University&#38;nbsp;
2001–2002
Selected Solo Exhibitions;



















vISIBLE CITY: a compilation.
Screw Gallery, Leeds.
2022.

The Path of Least
Resistance
Access Space, Sheffield.&#38;nbsp;
2018&#38;nbsp;



Abstract Memory
Remnant A to B 
Bank Street Arts, Sheffield. 
2017&#38;nbsp;



Quartet&#38;nbsp;
We Are Folk
Space, Sheffield. 
2016&#38;nbsp;



Construct
Deconstruct Reconstruct 
Chapel Walk Gallery, Sheffield. 
2015&#38;nbsp;



12X12
studio interventions 

Sheffield&#38;nbsp;2008–2010 




X, Y. Z etc. 
Derby
Museum and Art Gallery&#38;nbsp;
2007&#38;nbsp;



Dum Dums&#38;nbsp;
The
Workstation, Sheffield. 
2005








Selected Group Exhibitions;
Jammyboree. Bloc Projects, Sheffield. Curated by Sean Williams and Kate Jacob. 2025.
111 Not Out. The London Group.
Quay Arts Centre, The Isle of Wight. 2024.
London Group in Scarborough. Old Parcels Office Gallery. 2023.

Drawing Open. Second Floor Studios, London. 2023.

Contrafibularities. Fronteer Gallery, Sheffield.&#38;nbsp;Curated by Sean Williams.
Painting and Process. 2023.

Documents. Gallery Dodo, Brighton. 
Film / Photography. 2023.

Speculative Proposals / Increased Speculation.&#38;nbsp;Curated by Sean Williams.Drawing and Process. Bloc Projects Space. 2023.
Annual Open. Old Parcels Office Gallery. Scarborough.&#38;nbsp;2023.

Think of Me With Kindness. Curated by Sean Williams. Gage Gallery, Sheffield. 2022.

Catch your Breath. 
London Group and invited artists. 
Morley Gallery, London.2022.

Geometry and Gesture.
With Kate Jacob, Nick Grindrod and Myfanwy Williams.Bloc Projects, Sheffield. 2022.

Prosaic
Projects Gallery / Mixed Essence 
with Luke Walsh and Lea Torp Nielsen. Bloc Projects, Sheffield.&#38;nbsp;Curated by Sean Williams.
2020



Prosaic / Mosiac.

Bloc Projects, Sheffield. 
2019



Squaring The Circle
with Nick Grindrod

The Circle Artspace, Sheffield. 
2019&#38;nbsp;



Metamorphosis&#38;nbsp;
The
Cello Factory, London. 
2019



In the Dark&#38;nbsp;
The
Cello Factory, London. 
2019



POVERA&#38;nbsp;with Micheál O’Connell (Mocksim) and Jockel Liess.

The Cello
Factory, London. 
2018




Finding Lines&#38;nbsp;
Derby
Museum and Art Gallery&#38;nbsp;
2017



Dis:placed. Postal
art project and exhibition. 
Walsall Art gallery&#38;nbsp;
2016



Zwart-Wit
Kunsthuis Art
Gallery, Crayke, North Yorkshire. 
2016



Various
collaborative studio and site specific interventions with Keith Hayman.
Sheffield. 2013.



Can You Hear Me Now?

Derby Museum and Art Gallery
2012



Pandemic
York
2011







	Recent Prizes, Awards, Open Submissions;



















The London Group 85th
Open.Copeland gallery, London. 2025. 
RSA Annual Open.Royal Scottish Academy, Edinburgh. 
2025.The London Group Annual. The Royal Watercolour Society gallery, London.
2025.
Two Weeks To Make It 2024. Music video competition, South Yorkshire Filmakers Network. ‘Static and Feeling’ -&#38;nbsp;Runner Up Prize.
OPO OPEN Exhibition 2024.
Old Parcels Office Artspace, Scarborough.&#38;nbsp;
3D Prize winner.
The London Group 85th
Open.Copeland gallery, London. 2023.&#38;nbsp;

RWA 170th Open.
Clifton, Bristol. 2023.

RSA Annual Open.Royal Scottish Academy, Edinburgh.
2023.

OPO OPEN Exhibition 2023.
Old Parcels Office Artspace, Scarborough.

RWA 169th Open. 
Clifton, Bristol. 2022.

RSA Annual Open.Royal Scottish Academy, Edinburgh.2022.

RSA Annual OpenRoyal Scottish Academy, Edinburgh.
2020.

 The Cooper Prize.
Cooper Gallery, Barnsley.
2021.

The London Group 84th
Open, 
The Cello Factory, London. 
2019.



RSA Annual Open

Royal Scottish Academy, Edinburgh. 
2019.
Latimer prize winner.



RWA 167th Open.&#38;nbsp;
Clifton, Bristol. 2019.



The London Group
Membership nomination&#38;nbsp;
2018.



Presidents Prize.&#38;nbsp;The London Group (exhibition prize at The Cello Factory, London). 2017.



The London Group
83rd Open 
The Cello Factory, London. 
2017.



Derbyshire Open.

First prize – The Old Station Gallery, Rowsley, Derbyshire. 2016.



RWA 164th Open

Clifton, Bristol. 2016.



The London Group
82nd Open
 The Cello Factory, London. 
2015.








Residencies;




















Darlington Arts
centre
1986–88.



Artist in Education
(various schools and colleges)
Sheffield
 1990–93.







 
Collections;


















Work in private collections in Sheffield,
Nottingham, Darlington, Bristol, Cornwall, Leeds and London.

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